New York Anime Festival

In New York City this weekend, I’ll be attending the New York Anime Festival! For the first time, this annual anime convention will be partnering up with the New York Comic Con for a weekend of… well, we’ll see how crazy it gets.

But if you’re attending, you can meet me! I’ll be speaking on and moderating the Anime in Academia panel. You can see us: Friday, in Room 1E12, from 4:45pm to 5:45pm. The panel also features students, researchers, and published authors: Roland Kelts (“Japanimerica”), Mikhail Koulikov (Online Bibliography of Anime & Manga Research), Casey Brienza (PhD student, Sociology, University of Cambridge), and Jennifer Fu (undergrad, Comparative Media Studies, MIT).

Also, if you’re looking for me on the floor, I’ll be cosplaying the protagonists of Toradora with my lovely girlfriend, @ashleyseto:

Takasu Ryuuji & Aisaka Taiga

Finally (Academically) Published! [Yep, Nerdily For an Anime Website Review]

See my article here, or read up on my boring story of how I got published below.

Also, yes, I know that the journal’s Style Guide is messed up. “Web site,” with a space, really guys?

Last spring, I sat down one night, shaken by an urge to write furiously. On a random whim, I wrote up a full paper for an academic journal.

Apparently this is what I do for fun in my free time.

The compensation: I’m finally published!

OK, so to put it all simply, I wrote a book review for the Transformative Works and Cultures journal. The TW&C journal is a peer-reviewed, open, online journal. If you hit the link, you can check out the amazing executive board. But in terms of my own publication, a book review is pretty low in the Important Publications hierarchy, but it’s a start, and definitely a good one for graduate students (though of course I haven’t even been accepted to a program yet…).

The interesting part of my book review is that it’s not actually a book review: it’s a website review! On the Online Submissions page, where it explains how and what to submit in the journal’s different sections, the review section states, “Reviews offer critical summaries of items of interest in the fields of fan and media studies, including books, new journals, and web sites.” That last item, websites, stuck out at me, so I flipped through the older four issues of the journal. I found only book reviews.

Idea: do something really new. So I wrote a website review!

The review takes a look at Inside Scanlation, a well-researched fan site that catalogues the short history of English-language manga scanlation. I discovered this website a couple weeks before it launched and eagerly waited for its official publication. I really like Inside Scanlation because it’s a modern equivalent of older anime fansites that probably are only available today via The Wayback Machine.

If you’re interested in reading through my review, you can find it at the Transformative Works and Cultures Journal, volume 5. A direct link to the article is here.

Also, if you’re interested in more anime fandom-related academic articles, Mikhail Koulikov wrote up a paper on fansubbing communities. You can read that essay in the same volume: Fighting the fan sub war: Conflicts between media rights holders and unauthorized creator/distributor networks.

Conceptualizing the Academic Anime Review

There’s been a lot written about how to write reviews. Of course I mean for anime and manga. Most of these essays focus on writing for your audience, or creating spoiler-free zones, or formulating objective positions, or avoiding plot summary blather. However, I feel like there’s one underutilized method of critical inquiry that can be adapted and adopted for reviews of any media, and of course that is the academic methodology.

But what do I mean by an “academic review”? Well, put most simply, the fundamental form of academic writing is the literature review, and the social tenet that holds academic published research together is the citation. If you don’t understand this latter point, hit up Google Scholar, throw in a search term, and you’ll see that the “most important academic works” are those with high “cited by” counts.

Anyway, so how can we provide an academic bent to review writing? Well, there are technically already “academic reviews” available: simply pick up a copy of Mechademia and flip to the back pages, where you’ll find a host of critically insightful reviews of anime and manga titles. These reviews provide references to and citations of other academic texts, but tend to avoid other reviews from professional reviewers, other academics, or whomever.

The idea I would like to put forth in this short article, though, is that there’s another type of “academic review” that is not really used: reviews that reference previously-written reviews, as if the networks of reviewers mirrored the networks of academics that make up contemporary academic research matrices.

Looking through some criticism about writing reviews for anime and manga, once in a while I see authors writing, “So-and-so has already said enough about this title, so I don’t really have much more to say.” But I want to criticize these stances, because a reviewing author should take into account what others view about a piece of media, at the very least to inform his or her own opinion in the review-to-be-written.

I’ve been meaning to add more reviews of anime and manga titles to this blog, but I’ve continually taken the approach of writing critical, exploratory essays about the titles rather than mere reviews. So starting soon, I’m going to attempt to publish a few academic reviews on this blog that reference reviews currently written in the blogosphere.

Of course, I perceive an interesting gap in the current anime/manga blogging phenomenon, which is that there’s not much written about what both the Japanese- and English-language spheres are saying about a particular work. In the hopes that this will help (read: force) me to translate more Japanese writing about anime and manga, particularly from notable — though probably random — Japanese bloggers, I’m going to start writing reviews that reference the current discourse on Japanese popular media. Because that’s what academic is all about: creating, interacting with, and maintaining critical discourse about topics.

I hope that this will help foster greater communication between, or at least appreciation and understanding of, the Japanese and English fandoms.

I’d love to hear what others have to say about this referential approach: please leave comments! And hopefully I’ll have a review up in the next week or so. I’ll be starting with Asano Inio‘s relatively-unknown manga, Goodnight Punpun (Oyasumi Punpun).