Conceptualizing the Academic Anime Review

There’s been a lot written about how to write reviews. Of course I mean for anime and manga. Most of these essays focus on writing for your audience, or creating spoiler-free zones, or formulating objective positions, or avoiding plot summary blather. However, I feel like there’s one underutilized method of critical inquiry that can be adapted and adopted for reviews of any media, and of course that is the academic methodology.

But what do I mean by an “academic review”? Well, put most simply, the fundamental form of academic writing is the literature review, and the social tenet that holds academic published research together is the citation. If you don’t understand this latter point, hit up Google Scholar, throw in a search term, and you’ll see that the “most important academic works” are those with high “cited by” counts.

Anyway, so how can we provide an academic bent to review writing? Well, there are technically already “academic reviews” available: simply pick up a copy of Mechademia and flip to the back pages, where you’ll find a host of critically insightful reviews of anime and manga titles. These reviews provide references to and citations of other academic texts, but tend to avoid other reviews from professional reviewers, other academics, or whomever.

The idea I would like to put forth in this short article, though, is that there’s another type of “academic review” that is not really used: reviews that reference previously-written reviews, as if the networks of reviewers mirrored the networks of academics that make up contemporary academic research matrices.

Looking through some criticism about writing reviews for anime and manga, once in a while I see authors writing, “So-and-so has already said enough about this title, so I don’t really have much more to say.” But I want to criticize these stances, because a reviewing author should take into account what others view about a piece of media, at the very least to inform his or her own opinion in the review-to-be-written.

I’ve been meaning to add more reviews of anime and manga titles to this blog, but I’ve continually taken the approach of writing critical, exploratory essays about the titles rather than mere reviews. So starting soon, I’m going to attempt to publish a few academic reviews on this blog that reference reviews currently written in the blogosphere.

Of course, I perceive an interesting gap in the current anime/manga blogging phenomenon, which is that there’s not much written about what both the Japanese- and English-language spheres are saying about a particular work. In the hopes that this will help (read: force) me to translate more Japanese writing about anime and manga, particularly from notable — though probably random — Japanese bloggers, I’m going to start writing reviews that reference the current discourse on Japanese popular media. Because that’s what academic is all about: creating, interacting with, and maintaining critical discourse about topics.

I hope that this will help foster greater communication between, or at least appreciation and understanding of, the Japanese and English fandoms.

I’d love to hear what others have to say about this referential approach: please leave comments! And hopefully I’ll have a review up in the next week or so. I’ll be starting with Asano Inio‘s relatively-unknown manga, Goodnight Punpun (Oyasumi Punpun).

Department of Alchemy Audio Archive – Episode 4: Manga Mania Panel @ Anime Boston 2010

In an effort to initiate a US branch of the ZeroAka Dojo, Vertical Inc. has collected a brain trust of the brightest and most respected manga bloggers and journalists on the East Coast to discuss manga culture. But there is a catch! This is not your average panel. This is a moderated discussion covering a wide range of manga topics from politics and ethics to the industry and its fans. This is not a democratic, everyone gets equal time, panel. This is a public forum where the best voices of manga share their knowledge and views honestly and openly.

Has manga criticism reached new heights? Or are our manga literati still in the dark ages? Join journalists, podcasters, bloggers, industry insiders and manga academics as they reveal why manga your fandom originates and always comes back to manga!

Last weekend at Anime Boston 2010, Ed Chavez (of Verical, Inc.) held a panel with some popular Internet writers and reviewers of manga to ask them critical questions about the manga industry, manga criticism, and manga fandom. The panelists included Brigid Alverson (MangaBlog), Michael Toole (Anime Jump), Scott Green (Ain’t It Cool Anime), Clarissa Graffeo (Anime World Order), Erin Finnegan (Ninja Consultants), and Ko Ransom (welcome datacomp).

Erin also recently uploaded a recording of her own, which has slightly higher audio quality (she recorded from the stage; I recorded from the audience), but also cuts off a bit of the end. You can reference her recording here, but catch the end of the panel by listening to the DoAAA podcast.

Listen below, or use the direct download here (55 minutes 59 seconds).

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Tumblr and the Path to Identification

I did it. Went over there. Got a Tumblr.

In some ways, I feel like I’ve conformed to another hipster precedent that I’ve been resisting for too long. And yet even though I’ve finally caved in, I still reckon that I’ve stumbled into a secret cavern lit by candlestick glow. Like an dusty, Victorian house, but one quainter than those along Brattle St.

Anyway, check it out: geno.tumblr.com. The first post goes, of course, to Diana Kimball and her most recent essay, “In the Absence of Fiction,” which put me in such a mood today that I need to write about it soon (possibly tomorrow, secretively, during work). I blame her for getting me started on this compositional adventure. So inspirational, in fact, that she’s unintentionally getting her name out there: “Her writing is passionate, idealistic, reflective, personal and fantastically geeky.”.

In the creation of my new Tumblr, though, I had to come face to face with a situation floating around the skull as of late. Looking to Tim’s predictions, he hovers over the point of ever-increasing movement toward absolute identification (“information consolidation”). Compared to my early days on the Internet, when I engaged with the parental caveats toward personal concealment (even though my first username, Owl6887, clearly emblazoned my date of birth, like every friend at the time), my current Facebook profile prominently displays a full range of contact info and idiosyncratic characteristics. My resume sits on LinkedIn; my website URL remains a monikerized placeholder. I’m certainly not branding myself, but IRL Alex is approaching pure digital socialization. I look back at old usernames in awe of my referential mindset. CollegeBoard still waves _ (a misnomer of the treasure-hunting character, Graham _, from the SNES version of Tales of Phantasia) at me before I can access my financial PROFILE. All those old AIM screen names haunt the occasional memory.

My FC friends still try to retain that creative spark. Sleuth. Diana. Chrysaora. Christina. I could list more if I had an excuse to stay up later, but I’m already tired. But I’ve returned to the username graveyard to lay bouquets on the oldies and picked up Geno at the social security office. It’s homage to my nickname of four years from high school, Gino, but influenced by the fact that the name was taken already. Now, it’s a double salute, the secondary toward this guy from another RPG.

Look for the quotes.