Why I Blog

The purpose of this blog… I figured some reader would want an explanation. Or maybe I just need a bit of self-reassurance to why I should spend at least a couple of hours a week putting ideas into a neat essay format online.

My obsession with blogs exploded at the beginning of 2008, when I began reading through Diana Kimball‘s website (she’s on the ROFLcon staff) and finally discovered Henry Jenkins’ blog (the director of MIT’s Comparative Media Studies department). Actually, I would say it really began over the summer, when I began to download hundreds of podcasts and listen to them while working in the basement of Harvard’s Houghton Library (aka. my summer job). A month’s worth of audio later, I became addicted to searching out information on the Internet. Combined with my discovery of the MIT CMS website and the concentration of media studies, this quest to learn from the bloggers of the simply escalated into hours of “healthy” procrastination.

I have been a “blogger” for a good while now through LiveJournal’s platform, mainly commenting on the quotidianities of my life. This year, I was inspired to actually give birth to my own weblog, because I felt an urge to actually respond to the articles I was reading.

The problems associated with publishing my own writing, though, are endless.

For one, I always feel as if I will plagiarize, not someone’s work, but someone’s idea. Actually, with my luck over the past three months of 2008, I have had a multitude of light bulb clicks for articles that ultimately end up on the New York Times or one of the Berkman Center’s blogs. In the first few years of the new millennium, I realized that we basically live in the Age of the Experts. To be original means to win the race to a niche idea and publish it, either in Barnes & Noble or on a webpage.

Realizing that I will probably not have many entirely novel theories and thoughts, I present my second problem: the awareness that much of my writing will not, in fact, be original, but instead be in response to other blogs, scholarly publications, and newspaper articles. Not that this is a bad thing. In fact, many bloggers appreciate feedback on what they have written. And these bloggers usually respond to the comments they receive. Essentially, I am continue the circular supply-and-demand economy of digital information.

The difference with white paper publication remains that I can participate in a similar economy, working inside my head. When I read and reread my old posts, then get a craving to edit my horrible style decide to add a few tidbits to an article, I can easily edit it. Back in high school, when I wrote a paper, it was done — I had no desire to look at it again. With a constant bombardment of information, I would not be surprised to find myself editing older articles more often than continuing them in new posts. So, I’ll try my hardest to add a header to each emended entry.

Where will I go with this blog? Hopefully to graduate school (no, seriously). Topically, I want to write as much about Internet culture as possible. On the side, I’ll comment on my classes at Boston University, my experiences swing dancing in Boston, and those thoughts that would make great subjects for first-year university writing seminars. Maybe I’ll even take a few of my articles, expand them in my free time, and publish a few in actual magazines. I’m feeling ambitious. But, hey, we can do anything with the Internet.

Aftermath of Anime Boston 2008

Anime Boston just ended a few days ago, but I had a good weekend, given that I only spent the equivalent of one day inside the Hynes Convention Center. I signed up for a blues dancing workshop over at the MIT Student Center for the majority of Saturday, but the lack of time spent at the con was supplanted by my participation in a couple panels. Then again, I still can’t believe I convinced myself to skip the Pillows concert. I mean, c’mon, it’s The Pillows, second only to The Seatbelts. I’ll definitely be on top of my game next year and actually attend for the entire weekend (and of course do a bunch more panels).

I picked up my badge on Thursday night — luckily. The nametag appeared in my hand after only about an hour’s wait, unlike those unfortunate souls that had to retrieve theirs on Friday. Walking along the con, I ran into a line stretching from one end of the center to the other. Thinking it was simply a popular autograph signing, I followed it down to the front, only to find that it led into the registration room. I heard a few rumors that people who hadn’t preregistered waited for up to nine hours (and a few were turned away from registering even after standing in line). Quite a bit of failure there, but I expect the AB staff will be on top of that issue next year.

Since I wasn’t on site for most of the convention, I didn’t attend many events, but I did get a chance to attend the newly-annual formal ball. This year exceeded my expectations compared to last year (AB 2007), and the ticketing system certainly helped speed up the line that kept a lot of people out of 2007′s dance. Not sure if many people realized that MC Frontalot was on stage DJing the event, but there he was (and seemed a bit lonely too). There weren’t as many people dancing this year, and I wonder how the dance staff will try to ameliorate that next year (I think 2007 excelled in terms of people on the dance floor, but maybe that’s because attendees were just psyched for it).

I got to walk around the Artists’ Alley for about an hour and, although I definitely didn’t spend as much on schwag compared to 2007, I picked up one $10 print. It’s such an arresting picture, though, so when I glanced it the drawing stopped me in my tracks, mesmerized for a good fifteen minutes before I decided to purchase it. The artist is Peter Chan (of Toronto, Canada), and you can see a glimpse of the print here. I love the anachronistic quality (which reminds me of the blend that Shinichiro Watanabe makes in Samurai Champloo.

Most of my other time was spent on panels. I was given permission to host three panels, but I only decided to go through with two of them (Learning Japanese Through Anime was cancelled). Kent, Alicia, and I hosted one panel called Trescaflowgun on Saturday night, at which we did a comparison-contrast of Trigun with Escaflowne, focusing on art designs, narrative styles, and plot devices. I guess you could call it a Comparative Literature take on anime. Overall, we had a surprisingly medium turnout, since we were slotted against the Masquerade, but there were a number of people that came in thinking we were going to present a fan parody. Ultimately, I view this first panel of ours as a practice round for the success that would be Sunday’s panel.

On Sunday afternoon, I presented a talk (again, with Kent and Alicia) entitled Globalization, Technology, and the American Otaku to an audience of about forty people. Borrowing and applying ideas from Thomas Friedman’s The World is Flat and a number of the blogs, scholarly articles, and podcasts ingested from MIT’s Comparative Media Studies program, I discussed the past, current, and future state of the Japanese animation culture in America and primarily how it has been influenced by the Internet and international convergence and collaboration. Thanks to Alicia and Kent who provided some good commentary on club fandom, the Cosplay.com community, and particularly the reception of texts while access is easy and the diversity large. The panel lasted only an hour, and we spent a good amount of time fielding solid questions from the audience, so I had to omit a few items due to the time constraints. We actually had a pretty good write-up of the panel over at Pop Culture Shock, so check it out. It’s a good thumbs-up for anyone interested in attending my panels next year, hint hint!

Definitely going to plan to 1) be at the convention for the entire weekend next year, 2) submit more panels and hopefully present them, and 3) try to go for a Press Pass, because I’d like to snag a few interviews and conduct a bit of formal research, which I might be able to get funded by my university. But I still have Otakon and Connecticon on the list for this summer, so let’s get to those first!